We where contacted by Warner Bros. Discovery to work with the TNT sports team during the Premier league media days. We spent several weeks criss crossing around Englands premier league training grounds filming clips of the players that had been selected by TNT for inclusion in their promos for the 24/25 season. More promo’s will…
This was another road trip job, this time to Valencia in Spain. Our trusty wee van which has been all over Europe decided this job would be the time to break down 2 hours away from our destination! After 4 hours at the side of a blazing hot Spanish motorway we got collected and arranged…
We’re delighted to announce that our #Senna30 livery launch film with McLaren has been nominated for ‘Best Promotional Film’ at the 2024 @motorfilmawards Not everyday you film in a restricted zone in McLaren HQ! We got to push the famous Marlboro F1 Car off set, obviously made the loudest engine noises with our mouths humanly possible! Ultimate big…
Pepsi – UEFA 2024 Where There’s A Ball There’s A Way – UEFA Champions League 2024 Our 3rd Pepsi Advert 🙂 Pepsi Press Release Info The film captures jaw-dropping footballing skills. Jack Grealish is captured in slow-motion pulling-off tricks while taking selfies with fans. Son’s cheeky grin and fan-favourite signature “camera” goal celebration also make…
NWD was contacted by director Bugsy Steel and Greenroom films to make a unique advert for a Macallan X Bentley collaboration. We used 120 cameras on a huge 20m 180 degree truss curve so there was plenty of room for the multiple set & prop change overs required. All the effects in the film are done in camera
We worked with the team from Trick Of The Light Media to create this epic Ad/theatrical trailer. Working in the historic Vaudeville Theatre in the West End was enjoyably challenging!
We set up a large bullet time rig in among the compact seating to be able to get the space and angle of the shot we needed. We had to run power all the way from the back of the theatre to bring alive our cameras and computers. The curved stage set design was perfect for us and helped the bullet time shots really shine as you play through the sequences.
We worked with our Gen-locked camera array to film Tom’s performance as Guy Fawkes for his VR elements. We created volumetric sequences and filmed audience point of view straight into camera performances so the VR environment team had choices in post production.
We were over the moon to get a call to contribute a bullet time sequence for a series of Ad’s to promote Adobe Creative Cloud. All of us at NWD HQ have used their software packages our whole careers!
Working with Super models Kristen McMenamy & Vittoria Ceretti, we created bullet time scenes that would be used to show off H&M’s meta verse digital clothes exploration.
120 camera photogrammetry rig, fully post produced in-house, rigged and photo quality. Able to be dropped straight into a game engine or production environments.
